This Drifting Poo Was Way Too Meaningful! These Are the TV Letdowns of the Year.
-
- By Brian Tate
- 08 Aug 2026
Last year, actor Jude Law remarked he “didn’t fear any repercussions” for portraying Vladimir Putin in a new film. The movie, however, could coincide so closely with the mythologized image promoted by Russian state media that, domestically, it reads as a compliment instead of a challenge.
Over a long period, the Russian political apparatus and its entertainment industry have collaborated to forge a tailor-made version of the president. This figure is a political superhero without age or mistakes, an ex-intelligence officer reimagined as a Russian James Bond who always knows beyond what he shows.
“Domestically, the manufactured Putin has long overshadowed the actual person.”
A notable instance is a TV series released last October, helmed by a Kremlin supporter. Its main character is a invented security officer selected by fate to “rescue” Russia from disorder. Although the character's name a different name, the message is unmistakable: the hero must be a familiar security officer.
Western portrayals often end up reinforcing this same narrative rather than debunking it. A new film based on a popular book aims to undermine the leader's mythology by presenting him as a symptom but as a consequence, moving the focus to the political machinery around him.
In the film, Putin is shown as having been chosen by influential figures to steady the nation because he is “a fit former intelligence agent”. The oligarchs approach him and all but beg him to take the top job. His response is that he would prefer to rule from the background, desiring permanent power.
This tale is the Kremlin’s export myth: the detached, unwilling mastermind guided by fate. In reality, none of this took place.
Nobody ever begged Putin to take the job. The position was effectively a casting call with many contenders. At the centre to this process stood an influential oligarch from the Yeltsin era who expected to run the country in practice.
“They didn’t need a powerful leader, they needed someone malleable, someone who would obey orders.”
Experts agree that the notion of Putin as a powerful KGB spy was built after the fact. Claims about his clandestine activities in Dresden do not stand up to scrutiny. In essence, he handled paperwork and routine duties, a mid-level functionary not engaged in field operations.
Interestingly, the move to depicting him as a “spy” could partly have been inspired by Daniel Craig’s debut as James Bond. The grittier interpretation led local outlets and social media to draw visual parallels with Putin. Mashup posters swapping Craig’s face with Putin’s appeared on city centers, fueling the increasing trend to frame him as a Russian 007.
Given the casting, an star well-liked by Russian audiences, the Kremlin are likely to seize the chance to portray this choice as a small victory. Its omission of mass protests, the opposition, or prominent activists from its narrative, despite covering the past decade, is a pleasant bonus for official messaging.
In Russian cinema, Putin is frequently an all-powerful presence who remains unseen on screen. He is hinted at through portraits or calls “from above”. In this new film, he at last gets a recognizable face—one that could unintentionally validate the exact legends it might seek to examine.
Film critic and industry analyst with a passion for uncovering cinematic trends and storytelling techniques.