Swedish Selection Announcement: Isak Included While Gyokeres Excluded
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- By Brian Tate
- 10 May 2026
“Incidents take place.” A mere phrase. That was enough for Donald Trump to effectively dismiss what is probably the most notorious journalist killing of the past ten years – and in so doing sank to a fresh depth in his contempt for journalists, for journalism – and for the facts.
The American leader’s dismissive attitude of the killing of prominent journalist Jamal Khashoggi came during a media briefing with the Saudi crown prince, MBS – a man whom the US intelligence concluded in a 2021 report had orchestrated the abduction and murder of the journalist in that year. (The crown prince has rejected accusations.)
The US intelligence services were not the only ones to determine the homicide – which occurred in the Saudi consulate in Turkey and in which the late journalist was drugged and cut apart – was signed off at the highest levels. An inquiry led by former UN expert, Agnès Callamard, reached similar conclusions.
For a brief period, governments were in agreement in their condemnation of the kingdom’s conduct. The United States imposed penalties and travel restrictions in 2021 over the killing, although it refrained of sanctioning Prince Mohammed himself. Since then, the nation has been slowly rehabilitating itself – and the crown prince’s visit to the US capital seemed to be the ultimate sign of that rehabilitation.
Critics of the government had roundly condemned the meeting. But what was on display at the White House was worse than could have been anticipated. Not only did Trump honor the Saudi leader but he seemed to alter history – and then blamed the deceased. Prince Mohammed, Trump claimed when asked, was unaware about the killing – in direct contradiction to what his country’s own spy agencies determined previously. Moreover, the president said: “Many individuals disliked that gentleman that you’re talking about, whether you approve of him or didn’t like him, incidents occur.”
This represents a fresh and shameful low for a president who has made no attempt to hide of his contempt for the truth – or for the press. Trump has smeared reporters (he called ABC news, whose journalist asked the question about the journalist at the Saudi press conference “fake news”), scolded them in open settings (he called one a “rude name” this week for asking about his connection with the convicted sex offender financier the convicted criminal), sued media organizations for eye-watering sums of money in frivolous cases, and called for media groups he doesn’t like to be shut down.
He has forced established media out of the White House press pool for declining to use terminology of his choosing, and he has slashed funding for vital news services at domestically and vital independent media internationally.
All of that has created an atmosphere in which journalists are clearly more vulnerable in the United States, but one in which their victimization – and indeed killing – becomes not just insignificant (“incidents occur”) but tolerated (“a lot of people didn’t like that gentleman”).
It is no surprise that 2024 was the most lethal year on file for the press in the more than 30 years the Committee to Protect Journalists (CPJ) has been documenting this information: a persistent failure to hold those accountable for reporter murders has established a culture of impunity in which those who murder reporters are literally able to get away with murder and so persist in these actions.
In no place is this clearer than in the Middle Eastern nation, which is responsible for the deaths of over two hundred journalists in the recent period.
The impact on society is profound. Attacks on journalists are attacks on the truth. They are undermining of reality. They are attacks on our entitlement to information and on our freedom to live freely and securely.
On Thursday, CPJ meets for its yearly global journalism honors. My message there is the identical as my one for Trump: these things may happen. But it is our responsibility to make sure they cease.
Film critic and industry analyst with a passion for uncovering cinematic trends and storytelling techniques.